Miami Horror – Here is my favorite new Australian indie-synth-pop band. The electronic sounds on MH’s Illumination (their recently released first album) sometimes inspires my hips to commence shaking. Other times, I end up lying on the floor (maybe with a friend, maybe even a boy…), a little tipsy on any number of substances, entranced, letting the psychedelic rhythms take me away. The mood and energy pre-existing the music is always a factor, which is fun, because who doesn't love possibilities?
Vetiver – To Find Me Gone came out in 2006, but it’s fairly new to me. I love low-key folk music with easy, simple melodies, so this band, especially this album, is perfect for me. Sitting by the pool, reading in the sun, I’ve been queuing up TFMG with high frequency. It’s also great as background music when I’m chilling with my friends. I recommend their other albums too, but something about TFMG (it has a more wispy, interesting sound than the others, perhaps) has hooked me. I’m looking forward to listening to Vetiver’s latest album, The Errant Charm, which was released in June. I guess I’ve been a little behind on new music these days, in this busy, busy life I live. (haha)
Breaking Bad – I’m going to be brief, although I could gush for pages about AMC’s genius television series Breaking Bad. No synopsis from me, although if you’re interested, by all means. I want to recommend this series to anyone who has a thing for great writing, acting, and production—this show is the WHOLE package. It’s smart (but not so complex that it becomes a chore to watch), and the character interactions and development leave me feeling anywhere from wholly heart-warmed to outright empty and devastated. Best show since Six Feet Under.
Curb Your Enthusiasm – I took a break from this show for awhile. It wasn’t a planned break, but I watched through season five and then just stopped. Why? Graduate school maybe, or because I always used to watch it with an exboyfriend and was ready to start my life anew, or because it was getting a little over the top for me. Over the top? Yes, the humor no longer making me laugh, only causing me to turn away cringing in disbelief at Larry David’s absurd behavior in the show. Now that the buzz about Season 8 is sweeping Portland, and I needed a new fix of humor in my life since catching up to Californication and Bored to Death, I have picked up where I left off with CYE, Season 6. Sure, the absurdity is occasionally too much for me, but overall, this is a damn good, laugh-out-loud hilarious series. And I love it when I’m laughing by myself (seemingly out of nowhere), and Luna looks over at me with her tragically big, beautiful dog eyes like I’ve off my rocker.
**a quick aside. I am impressed by the overall quality of television in the past decade. No longer can a person categorically call television a mind-numbing waste of time. These shows I’ve been mentioning, among many others, are thought-provoking & emotionally acute, serious ART.
Source Code - This flick was recently released on DVD, and let’s be real: Jake Gyllenhaal is so hot I’d watch truly horrendous films just to get a good look at him in action. Source Code is far from horrendous. While not exactly the deepest or even interesting film I’ve seen, it’s interesting enough, and the creativity in ideas is there. The characters are somewhat flat, and the plot loses momentum as it progresses, though, so I’d give it a 6/10 for overall quality and a 10/10 for hotness factor.
I love to see poetry books with awesome covers, because it's a bit rare. |
The Brief Wondrous Life of Oscar Wao by Junot Diaz –I love that this book calls itself the story of a person, a boy, Oscar Wao, but is in reality the story of one Dominican/Jersey-an family. The chapters alternate between family members (Oscar, mother, sister). Oscar’s roommate (a somewhat intimate figure to the family) is even given a chapter. These shifts in perspective from character to character work to tell the story of a family, using history and culture as backbones, in a way that’s constantly compelling. And talk about tone. The language of the narrator (colloquial and contemporary as hell) makes it so that the readers know that the narrator is obviously SOMEONE, calls attention to itself, providing just a touch of suspense and curiosity without overshadowing the actual story. Superb book.
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